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Oooh, here’s a roll from Bruce’s trip to the 1975 Central States Heating & Cooling Installers Association Convention in Duluth. So many wonderful memories, so close to my heart. Wherever you are, Bruce, I’m remembering you tonight.So many good times.
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The included Arcsoft Photoimpression 6 software makes it easy to enhance and edit these photos, even for somebody like me who’s not too good with the Photoshop. But now I can scan it with theInnovative Technology Photo Negative and Slide Scanner.With images of up to 5 megapixels, our old memories spring into vivid life thanks to the automatic color balance and exposure. I wish I had a nickel for every nickel he spent at the Fotomat – and even then he never managed to get all of this film developed. It was like being married to a Japanese tourist. Holidays, business trips, at the park with the kids, or just a normal day around the house: my Bruce was always snapping away. The only thing he was more devoted to than that camera was his family. The Woot-Off is dead, but live on!Roll PlayerNow that my Bruce has passed on, it’s all the more important that I preserve the hundreds of rolls of film and slides of our time together.Oh, Bruce was a real shutterbug. Panda Antivirus Titanium features a new UltraFast scan engine. Panda Antivirus Titanium is the latest generation of antivirus software.Its innovative technology and ease of use make it the most powerful antivirus on the market.
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#Filmscan 35 i software software download
Innovative Technology Filmscan 35 I Software Download.Innovative Technology Filmscan 35 Software Price.After initial installation, the machine can be switched from normal to Wet Gate scanning as easily as a changeover from 35 mm to 16 mm. By using a special liquid to conceal dust and scratches, the ARRISCAN XT Wet Gate system offers a solution that is more organic than digital retouching and far more honest to the original material.Īny ARRISCAN XT can be retrofitted with the Wet Gate system.
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Severely damaged film can be scanned with ease, as can non-standard film formats with unusually tall frame sizes.Īlthough digital restoration is becoming increasingly prominent in the archive world, heavily scratched film still presents big obstacles and can be expensive to repair digitally.
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It is fully compatible with existing ARRISCANs, meaning restorers will be able to upgrade their equipment on-site with the addition of improved software, new features, and updated hardware.ĭamaged material and unusual frame heights are common challenges for archive scanning. With an aperture that is not only wider, but also taller than a standard 35 mm or 16 mm, the gate has enough headroom to allow frames to be stabilized during or after scanning.
The ARRISCAN XT takes on existing, tried and tested film restoration technology to a new level of excellence.
Developed by ZEISS in cooperation with ARRI, the ARRISCAN XT’s optics and the variable optical magnification system make sharpness-reducing digital resizing of scans unnecessary, even when scanning unusual frame dimensions or shrunken film material. Badly damaged material can be worked on using a computerized intermitted frame-by-frame transport system. The diffuse, high-power LED illumination of the ARRISCAN XT reduces the visibility of scratches and does not produce any heat at all – essential when working with highly flammable nitrate stock. The Wet Gate system uses a specially developed liquid to conceal scratches and dust. ARRI’s ALEXA XT sensor gives the new ARRISCAN XT the best image quality for archive film, and its scanning speed is up to 65% faster than its predecessor. In cooperation with archives and restoration specialists worldwide, ARRI has applied this range of cutting-edge technologies for digitizing and remastering old and often damaged and fragile film. It builds on the achievements of the ARRISCAN and ARRILASER, which in recent years have set industry standards for digital postproduction. ARRI’s digitizing system, the new ARRISCAN XT, plays a key part in saving those films for future generations. In hundreds of archives around the world reels of film, some more than a century old, lie deteriorating.
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